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Three Archers and a Figure with a Spear

Claude Lorrain (Claude Gellée) · ca. 1670–72 · The Met, New York

Public domain · CC0 · $0.003,842 × 2,463 px · 9.5 MP
Prints gallery-sharp up to12.8 × 8.2 inat 300 dpi, uncropped · poster-sharp to 25.6 × 16.4 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Three Archers and a Figure with a Spear by Claude Lorrain (Claude Gellée), ca. 1670–72
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Three Archers and a Figure with a Spear in a frame
16 × 20 in
Three Archers and a Figure with a SpearClaude Lorrain · ca. 1670–72
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in307Gallery sharp20%
14 × 11 in223Sharp up close18%
16 × 12 in205Sharp up close15%
20 × 16 in153Poster sharp20%
24 × 18 in136Fine across a room15%
36 × 24 in102Fine across a room4%
40 × 30 in82Too soft15%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Three Archers and a Figure with a Spear is a work on paper by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated ca. 1670–72. Pen and brown ink, brush and brown wash, over black chalk underdrawing. Size on the museum record: 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1961.

In The Met's records, Three Archers and a Figure with a Spear is a pen and brown ink, brush and brown wash, over black chalk underdrawing credited to Claude Lorrain (Claude Gellée). The museum dates it ca. 1670–72 (accession 61.125, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,842 × 2,463 pixels, which prints about 12.8 × 8.2 in at 300 dpi and 25.6 × 16.4 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,842 × 2,463 pixels — 9.5 megapixels — good for a gallery-sharp print up to 12.8 × 8.2 in. That is bigger than the work on paper itself, which measures about 9.3 × 6.3 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.

On the receipt

Artist
Claude Lorrain (Claude Gellée)
Date
ca. 1670–72
Medium
Pen and brown ink, brush and brown wash, over black chalk underdrawing
Size
6 1/4 x 9 1/4 in. (15.9 x 23.5 cm)
Museum
The Met · Drawings and Prints
Accession
61.125
License
Public domain · CC0 1.0
Source
Museum record ↗