Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 307 | Gallery sharp | 20% |
| 14 × 11 in | 223 | Sharp up close | 18% |
| 16 × 12 in | 205 | Sharp up close | 15% |
| 20 × 16 in | 153 | Poster sharp | 20% |
| 24 × 18 in | 136 | Fine across a room | 15% |
| 36 × 24 in | 102 | Fine across a room | 4% |
| 40 × 30 in | 82 | Too soft | 15% |
The ticket
Three Archers and a Figure with a Spear is a work on paper by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated ca. 1670–72. Pen and brown ink, brush and brown wash, over black chalk underdrawing. Size on the museum record: 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1961.
In The Met's records, Three Archers and a Figure with a Spear is a pen and brown ink, brush and brown wash, over black chalk underdrawing credited to Claude Lorrain (Claude Gellée). The museum dates it ca. 1670–72 (accession 61.125, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,842 × 2,463 pixels, which prints about 12.8 × 8.2 in at 300 dpi and 25.6 × 16.4 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,842 × 2,463 pixels — 9.5 megapixels — good for a gallery-sharp print up to 12.8 × 8.2 in. That is bigger than the work on paper itself, which measures about 9.3 × 6.3 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Claude Lorrain (Claude Gellée)
- Date
- ca. 1670–72
- Medium
- Pen and brown ink, brush and brown wash, over black chalk underdrawing
- Size
- 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 61.125
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Claude Lorrain
All 14 →
Perseus and the Origin of Coralca. 1671Free · sharp to 13 × 10.2 in at 300 dpi, uncropped
Queen Esther Approaching the Palace of Ahasuerus1658Free · sharp to 6.4 × 4.4 in at 300 dpi, uncropped
The Trojan Women Setting Fire to Their Fleetca. 1643Free · sharp to 13.1 × 9.1 in at 300 dpi, uncropped
Coast View with Perseus and the Origin of Coral1674Free · sharp to 12.9 × 8.5 in at 300 dpi, uncropped