Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 193 | Poster sharp | 5% |
| 14 × 11 in | 138 | Fine across a room | 6% |
| 16 × 12 in | 121 | Fine across a room | 11% |
| 20 × 16 in | 96 | Too soft | 5% |
| 24 × 18 in | 80 | Too soft | 11% |
| 36 × 24 in | 53 | Too soft | 21% |
| 40 × 30 in | 48 | Too soft | 11% |
The ticket
Christ Presented to the People is a print by Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), dated 1655. Drypoint on Japanese paper; second state of eight. Size on the museum record: Plate: 15 1/8 x 17 11/16 in. (38.4 x 44.9 cm) Frame: 24 1/2 × 30 1/2 in. (62.2 × 77.5 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of Felix M. Warburg and his family, 1941.
Christ Presented to the People is a drypoint on japanese paper; second state of eight by Rembrandt (Rembrandt van Rijn), part of The Met's open-access collection. The museum dates it 1655 (accession 41.1.34, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 1,938 × 1,628 pixels, which prints about 6.5 × 5.4 in at 300 dpi and 12.9 × 10.9 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 1,938 × 1,628 pixels — 3.2 megapixels — good for a gallery-sharp print up to 6.5 × 5.4 in. The print itself measures about 17.7 × 15.1 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Rembrandt (Rembrandt van Rijn)
- Date
- 1655
- Medium
- Drypoint on Japanese paper; second state of eight
- Size
- Plate: 15 1/8 x 17 11/16 in. (38.4 x 44.9 cm) Frame: 24 1/2 × 30 1/2 in. (62.2 × 77.5 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 41.1.34
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Rembrandt
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Christ Crucified between the Two Thieves: The Three Crosses1653Free · sharp to 12.7 × 11 in at 300 dpi, uncropped
Cottage among Treesca. 1650Free · sharp to 6.7 × 4.2 in at 300 dpi, uncropped
Reclining Female Nude1658Free · sharp to 12.2 × 6.3 in at 300 dpi, uncropped
Abraham Casting out Hagar and Ishmael1637Free · sharp to 8.4 × 11 in at 300 dpi, uncropped