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Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page

William Blake · [1789–94] printed ca. 1825 · The Met, New York

Public domain · CC0 · $0.003,168 × 3,710 px · 11.8 MP
Prints gallery-sharp up to10.6 × 12.4 inat 300 dpi, uncropped · poster-sharp to 21.1 × 24.7 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page by William Blake, [1789–94] printed ca. 1825
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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in371Gallery sharp6%
11 × 14 in265Sharp up close8%
12 × 16 in231Sharp up close12%
16 × 20 in185Poster sharp6%
18 × 24 in154Poster sharp12%
24 × 36 in103Fine across a room22%
30 × 40 in92Too soft12%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page is a print by William Blake (British, London 1757–1827 London), dated [1789–94] printed ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold. Size on the museum record: Plate: 4 7/16 × 2 13/16 in. (11.2 × 7.1 cm) Sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1917.

In The Met's records, Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page is a relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold credited to William Blake. The museum dates it [1789–94] printed ca. 1825; it sits in the Drawings and Prints department as accession 17.10.1. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,168 × 3,710 pixels, which prints about 10.6 × 12.4 in at 300 dpi and 21.1 × 24.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,168 × 3,710 pixels — 11.8 megapixels — good for a gallery-sharp print up to 10.6 × 12.4 in. That is bigger than the print itself, which measures about 2.8 × 4.4 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
William Blake
Date
[1789–94] printed ca. 1825
Medium
Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
Size
Plate: 4 7/16 × 2 13/16 in. (11.2 × 7.1 cm) Sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm)
Museum
The Met · Drawings and Prints
Accession
17.10.1
License
Public domain · CC0 1.0
Source
Museum record ↗