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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 349 | Gallery sharp | 13% |
| 11 × 14 in | 249 | Sharp up close | 14% |
| 12 × 16 in | 218 | Sharp up close | 18% |
| 16 × 20 in | 174 | Poster sharp | 13% |
| 18 × 24 in | 145 | Fine across a room | 18% |
| 24 × 36 in | 97 | Too soft | 27% |
| 30 × 40 in | 87 | Too soft | 18% |
The ticket
Songs of Innocence: The Lamb is a print by William Blake (British, London 1757–1827 London), dated [1789] printed ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold. Size on the museum record: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1917.
In The Met's records, Songs of Innocence: The Lamb is a relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold credited to William Blake. The museum dates it [1789] printed ca. 1825 (accession 17.10.8, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,199 × 3,494 pixels, which prints about 10.7 × 11.6 in at 300 dpi and 21.3 × 23.3 in at a still-comfortable 150 dpi. Square works are the hardest to frame cheaply; the set builder lists the square frame sizes that fit without distorting it. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,199 × 3,494 pixels — 11.2 megapixels — good for a gallery-sharp print up to 10.7 × 11.6 in. That is bigger than the print itself, which measures about 5.6 × 6.2 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- William Blake
- Date
- [1789] printed ca. 1825
- Medium
- Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
- Size
- sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 17.10.8
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More William Blake
All 14 →
Angel of the Revelation (Book of Revelation, chapter 10)ca. 1803–5Free · sharp to 8.1 × 12.1 in at 300 dpi, uncropped
Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)ca. 1803Free · sharp to 9.8 × 12.2 in at 300 dpi, uncropped
God Judging Adamca. 1795Free · sharp to 13.3 × 10.9 in at 300 dpi, uncropped
Pityca. 1795Free · sharp to 12.3 × 9.8 in at 300 dpi, uncropped