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Songs of Innocence: The Shepherd

William Blake · [1789] printed ca. 1825 · The Met, New York

Public domain · CC0 · $0.003,119 × 3,473 px · 10.8 MP
Prints gallery-sharp up to10.4 × 11.6 inat 300 dpi, uncropped · poster-sharp to 20.8 × 23.2 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Songs of Innocence: The Shepherd by William Blake, [1789] printed ca. 1825
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Songs of Innocence: The Shepherd in a frame
16 × 20 in
Songs of Innocence: The ShepherdWilliam Blake · [1789] printed ca. 1825
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in347Gallery sharp11%
11 × 14 in248Sharp up close13%
12 × 16 in217Sharp up close16%
16 × 20 in173Poster sharp11%
18 × 24 in144Fine across a room16%
24 × 36 in96Too soft26%
30 × 40 in86Too soft16%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Songs of Innocence: The Shepherd is a print by William Blake (British, London 1757–1827 London), dated [1789] printed ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold. Size on the museum record: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1917.

Songs of Innocence: The Shepherd is a relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold by William Blake, part of The Met's open-access collection. The museum dates it [1789] printed ca. 1825 (accession 17.10.5, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,119 × 3,473 pixels, which prints about 10.4 × 11.6 in at 300 dpi and 20.8 × 23.2 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,119 × 3,473 pixels — 10.8 megapixels — good for a gallery-sharp print up to 10.4 × 11.6 in. That is bigger than the print itself, which measures about 5.6 × 6.2 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
William Blake
Date
[1789] printed ca. 1825
Medium
Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
Size
sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm)
Museum
The Met · Drawings and Prints
Accession
17.10.5
License
Public domain · CC0 1.0
Source
Museum record ↗