Skip to content
OpenBuild a set →

The Rape of Europa

Claude Lorrain (Claude Gellée) · 1634 · The Met, New York

Public domain · CC0 · $0.003,715 × 2,941 px · 10.9 MP
Prints gallery-sharp up to12.4 × 9.8 inat 300 dpi, uncropped · poster-sharp to 24.8 × 19.6 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00The Rape of Europa by Claude Lorrain (Claude Gellée), 1634
The set builder

Build the wall set

Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

The Rape of Europa in a frame
16 × 20 in
The Rape of EuropaClaude Lorrain · 1634
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →

The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in367Gallery sharp1%
14 × 11 in265Sharp up close1%
16 × 12 in232Sharp up close5%
20 × 16 in183Poster sharp1%
24 × 18 in154Poster sharp5%
36 × 24 in103Fine across a room16%
40 × 30 in92Too soft5%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

The Rape of Europa is a print by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated 1634. Etching and drypoint; third state of seven (Mannocci). Size on the museum record: sheet: 8 1/16 x 10 3/16 in. (20.5 x 25.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Harris Brisbane Dick Fund, 1926.

The Met catalogs The Rape of Europa as an etching and drypoint; third state of seven (mannocci) by Claude Lorrain (Claude Gellée). The museum dates it 1634, and files it under accession 26.72.93 in Drawings and Prints. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,715 × 2,941 pixels, which prints about 12.4 × 9.8 in at 300 dpi and 24.8 × 19.6 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,715 × 2,941 pixels — 10.9 megapixels — good for a gallery-sharp print up to 12.4 × 9.8 in. That is bigger than the print itself, which measures about 10.2 × 8.1 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
Claude Lorrain (Claude Gellée)
Date
1634
Medium
Etching and drypoint; third state of seven (Mannocci)
Size
sheet: 8 1/16 x 10 3/16 in. (20.5 x 25.8 cm)
Museum
The Met · Drawings and Prints
Accession
26.72.93
License
Public domain · CC0 1.0
Source
Museum record ↗