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The Round Tower Ruptured to Reveal the Statue of the King of the Romans

Claude Lorrain (Claude Gellée) · 1637 · The Met, New York

Public domain · CC0 · $0.002,574 × 3,548 px · 9.1 MP
Prints gallery-sharp up to8.6 × 11.8 inat 300 dpi, uncropped · poster-sharp to 17.2 × 23.7 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00The Round Tower Ruptured to Reveal the Statue of the King of the Romans by Claude Lorrain (Claude Gellée), 1637
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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in321Gallery sharp9%
11 × 14 in234Sharp up close8%
12 × 16 in214Sharp up close3%
16 × 20 in160Poster sharp9%
18 × 24 in143Fine across a room3%
24 × 36 in98Too soft8%
30 × 40 in85Too soft3%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

The Round Tower Ruptured to Reveal the Statue of the King of the Romans is a print by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated 1637. Etching; second state of two (Mannocci). Size on the museum record: 7 5/8 x 5 3/8 in. (19.4 x 13.7 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Purchase, Marianne and Paul Gourary Gift, 1999.

The Round Tower Ruptured to Reveal the Statue of the King of the Romans is an etching; second state of two (mannocci) by Claude Lorrain (Claude Gellée), part of The Met's open-access collection. The museum dates it 1637, and files it under accession 1999.361 in Drawings and Prints. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,574 × 3,548 pixels, which prints about 8.6 × 11.8 in at 300 dpi and 17.2 × 23.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,574 × 3,548 pixels — 9.1 megapixels — good for a gallery-sharp print up to 8.6 × 11.8 in. That is bigger than the print itself, which measures about 5.4 × 7.6 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
Claude Lorrain (Claude Gellée)
Date
1637
Medium
Etching; second state of two (Mannocci)
Size
7 5/8 x 5 3/8 in. (19.4 x 13.7 cm)
Museum
The Met · Drawings and Prints
Accession
1999.361
License
Public domain · CC0 1.0
Source
Museum record ↗