Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 321 | Gallery sharp | 9% |
| 11 × 14 in | 234 | Sharp up close | 8% |
| 12 × 16 in | 214 | Sharp up close | 3% |
| 16 × 20 in | 160 | Poster sharp | 9% |
| 18 × 24 in | 143 | Fine across a room | 3% |
| 24 × 36 in | 98 | Too soft | 8% |
| 30 × 40 in | 85 | Too soft | 3% |
The ticket
The Round Tower Ruptured to Reveal the Statue of the King of the Romans is a print by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated 1637. Etching; second state of two (Mannocci). Size on the museum record: 7 5/8 x 5 3/8 in. (19.4 x 13.7 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Purchase, Marianne and Paul Gourary Gift, 1999.
The Round Tower Ruptured to Reveal the Statue of the King of the Romans is an etching; second state of two (mannocci) by Claude Lorrain (Claude Gellée), part of The Met's open-access collection. The museum dates it 1637, and files it under accession 1999.361 in Drawings and Prints. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,574 × 3,548 pixels, which prints about 8.6 × 11.8 in at 300 dpi and 17.2 × 23.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,574 × 3,548 pixels — 9.1 megapixels — good for a gallery-sharp print up to 8.6 × 11.8 in. That is bigger than the print itself, which measures about 5.4 × 7.6 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Claude Lorrain (Claude Gellée)
- Date
- 1637
- Medium
- Etching; second state of two (Mannocci)
- Size
- 7 5/8 x 5 3/8 in. (19.4 x 13.7 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 1999.361
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Claude Lorrain
All 14 →
Perseus and the Origin of Coralca. 1671Free · sharp to 13 × 10.2 in at 300 dpi, uncropped
Queen Esther Approaching the Palace of Ahasuerus1658Free · sharp to 6.4 × 4.4 in at 300 dpi, uncropped
The Trojan Women Setting Fire to Their Fleetca. 1643Free · sharp to 13.1 × 9.1 in at 300 dpi, uncropped
Coast View with Perseus and the Origin of Coral1674Free · sharp to 12.9 × 8.5 in at 300 dpi, uncropped