Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)1741Free · sharp to 13×9 in
Piazza San Marcolate 1720sFree · sharp to 13×8 in
Warwick Castle: The East Front1752Free · sharp to 13×7 in
A Lock, a Column, and a Church beside a LagoonFree · sharp to 11×8 in
Campo Sant'Angelo, Venice1730sFree · sharp to 13×8 in
Campo Santa Maria Zobenigo, Venice1730sFree · sharp to 12×7 in
Imaginary View with a Tomb by the Lagoonearly 1740sFree · sharp to 13×10 in
The Grand Canal, Venice, Looking South toward the Rialto Bridge1730sFree · sharp to 11×6 in
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right1730sFree · sharp to 11×7 in
Warwick Castle1748Free · sharp to 11×6 inReading the board
Each card shows the largest print the Met's file makes at 300 dpi without cropping — that's the sharpness you'd want for something you'll stand close to. The biggest file in this set isImaginary View with a Tomb by the Lagoon, at 4,000 × 3,000 pixels: enough for a 13.3 × 10 in print at 300 dpi, or 26.7 × 20 in at poster sharpness.
The Met flags 3 of these as a collection highlight: Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Piazza San Marco and Warwick Castle: The East Front.
Every page has a size chart against standard frames, the museum record, and the frame and light that make a print look like it cost more than it did. The file itself is free. It always was.