Farm Buildings beside a Waterwayca. 1765–70Free · sharp to 12×9 in
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci1761Free · sharp to 12×9 in
Nymph Astride a Satyr1763Free · sharp to 11×8 in
Nymph Supported by Two Satyrs1763Free · sharp to 11×8 in
Saint Celestine V Renouncing the Papacy, after Mattia Preti1761Free · sharp to 10×10 in
Seated Man Reading1774Free · sharp to 9×12 in
The Husband-Confessorca. 1770Free · sharp to 8×12 in
The Satyr's Family1763Free · sharp to 11×8 in
The Satyrs' Dance1763Free · sharp to 11×8 in
View of a Parkca. 1757–59Free · sharp to 6×4 inReading the board
Each card shows the largest print the Met's file makes at 300 dpi without cropping — that's the sharpness you'd want for something you'll stand close to. The biggest file in this set isFarm Buildings beside a Waterway, at 3,804 × 2,811 pixels: enough for a 12.7 × 9.4 in print at 300 dpi, or 25.4 × 18.7 in at poster sharpness.
Every page has a size chart against standard frames, the museum record, and the frame and light that make a print look like it cost more than it did. The file itself is free. It always was.