Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 369 | Gallery sharp | 5% |
| 14 × 11 in | 268 | Sharp up close | 4% |
| 16 × 12 in | 244 | Sharp up close | 1% |
| 20 × 16 in | 184 | Poster sharp | 5% |
| 24 × 18 in | 162 | Poster sharp | 1% |
| 36 × 24 in | 108 | Fine across a room | 12% |
| 40 × 30 in | 97 | Too soft | 1% |
The ticket
View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) is a print by Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice), dated 1735–46. Etching; first state of two. Size on the museum record: Plate: 11 13/16 × 16 15/16 in. (30 × 43 cm) Sheet: 17 5/8 × 23 9/16 in. (44.7 × 59.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1918.
The Met catalogs View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) as an etching; first state of two by Canaletto (Giovanni Antonio Canal). The museum dates it 1735–46 (accession 18.65.1(3), Drawings and Prints). The subject is a view, and the eye travels from the foreground to the distance; give it wall space so that route stays readable. The Met's scan measures 3,911 × 2,957 pixels, which prints about 13.0 × 9.9 in at 300 dpi and 26.1 × 19.7 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,911 × 2,957 pixels — 11.6 megapixels — good for a gallery-sharp print up to 13 × 9.9 in. The print itself measures about 16.9 × 11.8 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Canaletto (Giovanni Antonio Canal)
- Date
- 1735–46
- Medium
- Etching; first state of two
- Size
- Plate: 11 13/16 × 16 15/16 in. (30 × 43 cm) Sheet: 17 5/8 × 23 9/16 in. (44.7 × 59.8 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 18.65.1(3)
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Canaletto
All 14 →
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)1741Free · sharp to 13 × 9.1 in at 300 dpi, uncropped
Piazza San Marcolate 1720sFree · sharp to 13.2 × 8.2 in at 300 dpi, uncropped
Warwick Castle: The East Front1752Free · sharp to 13.1 × 7.4 in at 300 dpi, uncropped
A Lock, a Column, and a Church beside a LagoonFree · sharp to 11.8 × 8.5 in at 300 dpi, uncropped