At the Seasideca. 1892Free · sharp to 12.7 × 7.6 in at 300 dpi, uncropped
Alice Gerson in Prospect Park1886Free · sharp to 12.7 × 8.8 in at 300 dpi, uncropped
Bessie Potterca. 1895Free · sharp to 4.8 × 6.2 in at 300 dpi, uncropped
Carmencita1890Free · sharp to 7.1 × 12.4 in at 300 dpi, uncropped
Edward Guthrie Kennedyca. 1895Free · sharp to 10.4 × 12.8 in at 300 dpi, uncropped
Fishby 1910Free · sharp to 7.4 × 6 in at 300 dpi, uncropped
For the Little Oneca. 1896Free · sharp to 11.2 × 12.8 in at 300 dpi, uncropped
James Abbott McNeill Whistler1885Free · sharp to 6.1 × 12.4 in at 300 dpi, uncropped
Pink Azalea—Chinese Vase1880–90 (?)Free · sharp to 8.8 × 12.4 in at 300 dpi, uncropped
Rolandca. 1902Free · sharp to 5.4 × 6.7 in at 300 dpi, uncropped
Seventeenth Century Ladyca. 1895Free · sharp to 8.5 × 12.9 in at 300 dpi, uncropped
Still Life: Fishby 1908Free · sharp to 13 × 11.6 in at 300 dpi, uncropped
The Churnerca. 1886Free · sharp to 8.7 × 11.9 in at 300 dpi, uncroppedReading the board
Each card shows the largest print the Met's file makes at 300 dpi without cropping — that's the sharpness you'd want for something you'll stand close to. The biggest file in this set isStill Life: Fish, at 3,903 × 3,470 pixels: enough for a 13 × 11.6 in print at 300 dpi, or 26 × 23.1 in at poster sharpness.
The Met flags one of these as a collection highlight: At the Seaside.
Every page has a size chart against standard frames, the museum record, and the frame and light that make a print look like it cost more than it did. The file itself is free. It always was.